Don’t Forget To Kern
Somebody once said that if you truly hate someone, teach
them how to recognise bad kerning. A shoddy kerning job is one of the cardinal
sins in the world of design, so it’s an important skill to nail down early on.
Don’t Disregard Readability/Legibility For Aesthetic Reasons
I’m sure I’ve said this a million times, but the primary purpose
of design is communication, so it makes sense that the readability and
legibility of your type is a top priority.
Another common mistake is the overuse of capital letters.
Not only do capital letters make the reader feel like they are being YELLED AT,
they also hinder the eye’s ability to distinguish letterforms. This is because
when executed in caps, each letter has the same x-height and block-like shape,
whereas in lowercase, the letterforms are more uniquely shaped, allowing for
the eye to more easily identify each letter and word.
Keep Your Line
Lengths Short
Have you ever struggled to get through an otherwise
interesting magazine article? Or perhaps lost your place each time you tried to
go to a new line? This may be the fault of badly structured line lengths.
Have Purposeful
Hierarchy
Just like within a lot of natural orders, a strong and
purposeful hierarchy is a pretty powerful tool. Within the realm of design,
hierarchy concerns the arrangement of visual elements in order to signify
importance. So, the more important elements are made to hold the most attention
through scale, colour, type etc. and the least important elements are made to
hold less attention.
Practise Appropriate
Word Spacing
As a designer, dealing with a body of type is almost an
inevitability, and it’s not always easy. There are lots of rules and elements
to take into consideration, and here’s a pretty important one: word and letter
spacing. There are two main points of spacing we’ll run over: tracking and
leading.
As a designer, dealing with a body of type is almost an
inevitability, and it’s not always easy. There are lots of rules and elements
to take into consideration, and here’s a pretty important one: word and letter
spacing. There are two main points of spacing we’ll run over: tracking and
leading.
Use The Correct
Alignment
You have almost definitely encountered the basic alignment
tools before, whether you have been in the game for years or are yet to step
anywhere near the game. There are four different kinds of alignment: left
aligned, right aligned, centered and justified. Let’s quickly run through when
and where we can use these.
Left aligned type is the most common form (note how even
this text is aligned to the left) and for a good reason. It’s the most easily
legible and gives a nice, neat left edge to the text. When in doubt, left
align.
Always Use A Grid
Developing some basic grid skills is probably one of the
first steps any fledgling designer should undertake. A well-implemented grid is
a bit like a fairy godmother, it can transform your design from something
average to something clean, clear and effective.
Grids come in many shapes and sizes and you can build them
to be flexible, adaptable and to suit your design. Grids help designers align
elements on the page in relation to each other which often produces a neater,
more logical design. Check out the sample grids in the included graphic, a two,
three and four column grid can be used to help arrange type and imagery in
various ways.
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